+0
Karma
| Class: | ARH 2050 - History of Western Art I |
| Subject: | Art History |
| University: | University of Central Florida |
| Term: | Fall 2009 |
INCORRECT
CORRECT

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Aisle
|
The portion of a basilica flanking the nave and separated from it by a row of columns or piers. |
|
Ambulatory
|
A covered walkway; especially the passageway around the apse and the choir of a basilica plan or central plan church. |
|
Anagogical axis
|
Anagogical means spiritual or mystical; an axis is a straight line. The anagogical axis of a work of art is the invisible line on which all of the most spiritual or mystical elements are arranged or lined up. |
|
Apse
|
A recess, usually singular and semi-circular, in the wall of a Roman basilica or at the east end of a Christian church. |
Koofers.com
|
Arch
|
A curved structural member that spans an opening and is generally composed of wedge-shaped blocks (voussoirs) that transmit the downward pressure laterally. |
|
Atrium
|
The court of a Roman house that is partly open to the sky. Also the open, colonnaded court in front of and attached to a Christian basilica. |
|
Basilica
|
In Roman architecture, a civic building for legal and other civic proceedings, rectangular in plan. In Christian architecture, a church plan based on the Roman basilica with a longitudinal axis and an entrance at one end and an apse at the other. |
|
Baldacchino
|
A canopy, often freestanding, on columns, frequently built over an altar. Also called a ciborium. |
Koofers.com
|
Cathedra
|
Literally, the seat of the bishop, from which the word cathedral is derived. So a cathedral is a Bishopâs church. |
|
Central Plan
|
A round domed building plan in which the parts of the structure are arranged, with equal or almost equal, distances from the center. |
|
Cloister
|
A monastery courtyard usually with covered walkways or ambulatories along the sides. FOR MONKS! |
|
Codex
|
Separate pages of vellum or parchment bound together at one side and having a cover; the predecessor of the modern book. |
Koofers.com
|
Crossing
|
The space in a cruciform church formed by the intersection of the nave and the transept. |
|
Cruciform
|
Literally means âcross-shaped.â |
|
Cubiculum
|
A small room that opens onto the atrium of a Roman house. Also, a small chamber in an Early Christian catacomb that served as a mortuary chapel. |
|
Diptych
|
A two-paneled painting or altarpiece; also, an ancient Roman, Early Christian, or Byzantine hinged writing tablet, often of ivory and carved on the external sides. |
Koofers.com
|
Folio
|
A page of a manuscript or book. |
|
Gospels
|
The four books of the New Testament that relate the life and teachings of Jesus. The Gospels were written by the Evangelists Matthew, Mark, Luke, and John. |
|
Holy Trinity
|
In Christianity, the third âpersonâ of the Trinity (with the Father and the Son), often symbolized by a dove. |
|
Illumination
|
From the Latin âilluminareâ meaning to adorn. Decoration with drawings (usually in gold, silver, and bright colors), especially of manuscript pages. |
Koofers.com
|
Loculi
|
small rectangular shelf like openings in the walls of catacombs to receive the dead. |
|
Lunette
|
A semi-circular area (with the flat side down) in a wall over a door, a niche, or a window. |
|
Magi
|
The wise men from the East who present gifts to the infant Jesus. |
|
Martyrium
|
A small building intended to mark the site of a burial of a Christian martyr. |
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|
Mausoleum
|
A monumental tomb. A large stately tomb or building, often above ground, housing a single tomb or several tombs. |
|
Narthex
|
The vestibule of a church ; a transverse hall in front of the nave. |
|
Nave
|
From the Latin meaning âship.â The center or main aisle of a church extending from the entrance to the crossing or choir. |
|
New Testament
|
The second part of the Christian Bible dealing with the life and teachings of Jesus Christ. |
Koofers.com
|
Nimbus
|
A halo (aureole) appearing around the head of a holy figure to signify divinity. |
|
Old Testament
|
The first part of the Christian Bible, corresponding to the Hebrew Bible, that recounts the creation of the world and the history of ancient Israel. |
|
Orant
|
In Early Christian art, a figure represented with hands raised in prayer. |
|
Personification
|
An abstract idea or quality represented in bodily form. |
Koofers.com
|
Pieta
|
A painted or sculpted representation of the Virgin Mary mourning over the body of Christ. |
|
Portico
|
A porch with a roof supported by columns; an entrance porch. |
|
Prefiguration
|
In Early Christian art, the depiction of Old Testament persons and events as prophetic forerunners of Christ and New Testament events. |
|
Putto (Putti)
|
Italian term for a nude, often winged, cherubic young boy. |
Koofers.com
|
Relic
|
An object of religious veneration, especially a piece of the body or a personal item of a saint or holy person. |
|
Reliquary
|
a container for keeping, holding, or displaying a relic. |
|
Theotokos
|
From the Greek for âbearer of God.â A title bestowed on the Blessed Virgin Mary by the council at Ephesus in 431. |
|
Torah
|
From the Hebrew for teaching or learning. A Jewish sacred scroll containing the Pentateuch, the first five books of the Hebrew Scriptures; often called âThe Law.â |
Koofers.com
|
Byzantium
|
An ancient Greek city on which Constantine founded his new capital, Constantinople. A term also used for the Eastern Christian Roman Empire. |
|
Constantinople
|
Modern day Istanbul, Turkey. Constantineâs new seat of the empire founded in 324. The ancient site of Byzantium, called the âNew Rome.â Remember- founded in 324 AD |
|
Corpus Juris Civilis
|
Literally âCode of Civil Law.â The codification of Roman law under Emperor Justinian. |
|
Hagia Sophia
|
Literally âHoly Wisdom.â The supreme example of Byzantine architecture built under Justinian between 532-537. |
Koofers.com
|
Icon
|
From the Greek for âimage.â An icon is a small portable painting depicting Christ, the Virgin Mary, and or Saints. It is an aid to devotion. Not to be worshipped, as that would be a pagan practice. |
|
Iconoclasm
|
In general, the destruction of images used in religious worship. A period in Byzantine history during the 8th century that was in opposition to icons. The iconoclasts were the âbreakers of imagesâ and the iconophiles were those who loved icons. |
|
Justinian
|
Byzantine Emperor who ruled from 527-565. His wife was the Empress Theodora. |
|
Mandorla
|
Literally means âalmond.â An almond-shaped aureole of light, often encompassing Christ or other holy figures. |
Koofers.com
|
Mount Sinai
|
The site in Egypt where Moses received the Ten Commandments from God. An early monastery, now dedicated to St. Catherine, was built there. |
|
Paten
|
a large bowl used for holding the Eucharist bread. |
|
Pendentives
|
A triangular section of masonry making the structural transition from a square to a circle. Four pendentives support a dome. |
|
The Transfiguration
|
An event before the passion of Christ, on Mt. Tabor, in which Jesus is revealed as Godâs son. |
Koofers.com
|
The Ascension
|
On the 40th day, after the Resurrection, on the Mount of Olives, with his Mother and Apostles as witnesses, Christ gloriously ascends to heaven in a cloud. |
|
Abbey
|
A monastic community ruled by an abbott (chief monk) or an abbess (chief nun). |
|
Author Portrait
|
A type of page or illumination common in Gospels books that depicts a portrait of the Evangelist (often shown seated and writing / with or without symbol); the page most often precedes their respective Gospel. |
|
Beowulf
|
The legendary hero of an anonymous 8th cen. Old English epic poem. |
Koofers.com
|
Bible
|
From the Greek word âbibliaâ meaning "books." The scriptures sacred to Christians, consisting of the books of the Hebrew bible (Old Testament) and the New Testament. |
|
Carpet Page
|
In early medieval manuscripts, decorative pages with full page illuminations that are decorative and often resemble textiles. |
|
Cloisonne
|
French for partition. A process of enameling that involves the creation of cells or compartments formed by strips of metal fused to the surface. Those compartments are then filled with molten powdered glass or gems (enamel). |
|
Chi-rho-iota
|
The first three letters of Christâs name in Greek. (in Latin XPI) The symbol, often called a chi-rho, is a monogram of Christ. |
Koofers.com
|
Charlemagne
|
French for Charles the Great; Frankish King crowned Holy Roman Emperor in St. Peters in Rome on Christmas Day 800. |
|
Confraternities
|
In late medieval Europe, organizations founded by laypeople who dedicated themselves to strict religious observances. |
|
Colophon
|
An inscription usually on the last page of a book giving information about a books history. |
|
Evangelist
|
From the Greek for âone who announces good news.â Traditionally, one of the 4 authors of the first books of the New Testament; Matthew, Mark, Luke and John. |
Koofers.com
|
Hiberno-Saxon
|
An art style that flourished in the monasteries of the British Isles in the early Middle Ages; also called Insular. Hibernia was the ancient name of Ireland. |
|
Insular
|
A term often used to describe the art and culture of the Irish-English islands. |
|
Parchment
|
Lambskin prepared as a surface for painting or writing, one of the materials which comprised the leaves of a codex. |
|
Regalia
|
symbols of royalty such as the crown and sceptre. |
Koofers.com
|
Renovatio Imperii Romani
|
part of Charlemagneâs official seal; it literally means renewal of the Roman empire. |
|
Scriptorium
|
Literally a writing house. The writing studio or workshop often associated with a monastery. |
|
Tonshure
|
A hairstyle worn by priests and monks in some religious orders that required the shaving of the head in some way. The Roman Catholic tonsure is cut in imitation of the crown of thorns. |
|
St. Benedict
|
A monk, Benedict of Nursia, who founded the Benedictine order in 529. His written âruleâ became the standard for Western monastic institutions. |
Koofers.com
|
Vellum
|
Calfskin prepared as a surface for writing or painting. |
|
Zoomorphic
|
"animal-like" the term refers to art-work or decorated objects with an animal motif or animal-like appearance. |
|
Battle of Hastings
|
A battle between the invading Norman ruler William the Conqueror against the English King Edward the Confessor, in 1066 at Hastings, England. The Normans won. |
|
Compound Piers
|
A pier with a cluster, or group, of attached shafts, especially characteristic of Gothic architecture. |
Koofers.com
|
Crossing Square
|
The area in a church formed by the intersection (crossing) of a nave and a transept of equal width, often used as a standard measurement of interior proportion. |
|
Crusades
|
Literally means âtaking of the cross.â The Crusades were a series, beginning in 1095, of mass, armed, pilgrimages. The purpose of these Crusades was to retake the Christian Holy Sites in Jerusalem from Muslim control. |
|
Embroidery
|
A means of decorating textiles. Embroidery patters are sewn with threads. |
|
Feudalism
|
The Medieval political, social, and economic system held together by the relationship of a liege lord and a vassal |
Koofers.com
|
Jamb
|
The sides posts of a doorway. |
|
Pilgrim
|
a person making a journey. |
|
Radiating Chapel
|
a radiating chapel is small chapel designed for the display of relics. The chapel open directly onto the ambulatory and/or the transept. |
|
Romanesque
|
literally âRomanlike.â A term used to describe the history art and culture of medieval western Europe c. 1050 â 1200. |
Koofers.com
|
Santiago de Compostela
|
Literally, âSt. James in the Field of the Star." A very popular pilgrimage site in Spain during the Middle Ages where the tomb of St. James is located. |
|
Springing or Spring Point
|
The lowest stone of an arch. |
|
Tapestry
|
A means of decorating textiles. Tapestry designs are woven on a loomas part of the fabric. |
|
Tympanum
|
The space over a doorway enclosed by the lintel and an arch. |
Koofers.com
|
Trumeau
|
In church architecture, the pillar or central post in the middle of the doorway that supports lintel. |
|
Vassal
|
a person who was obliged to show loyalty and homage to a feudal lord (liege lord) in return for being allowed to occupy land belonging to the lord and receiving his protection. |
|
Voissoir
|
A wedge shaped block used in the construction of a true arch. The central voussoir, called the keystone, sets the arch. |
Koofers.com
Front |
Back |
|
|---|---|---|
| Aisle | The portion of a basilica flanking the nave and separated from it by a row of columns or piers. | |
| Ambulatory | A covered walkway; especially the passageway around the apse and the choir of a basilica plan or central plan church. | |
| Anagogical axis | Anagogical means spiritual or mystical; an axis is a straight line. The anagogical axis of a work of art is the invisible line on which all of the most spiritual or mystical elements are arranged or lined up. | |
| Apse | A recess, usually singular and semi-circular, in the wall of a Roman basilica or at the east end of a Christian church. | |
| Arch | A curved structural member that spans an opening and is generally composed of wedge-shaped blocks (voussoirs) that transmit the downward pressure laterally. | |
| Atrium | The court of a Roman house that is partly open to the sky. Also the open, colonnaded court in front of and attached to a Christian basilica. | |
| Basilica | In Roman architecture, a civic building for legal and other civic proceedings, rectangular in plan. In Christian architecture, a church plan based on the Roman basilica with a longitudinal axis and an entrance at one end and an apse at the other. | |
| Baldacchino | A canopy, often freestanding, on columns, frequently built over an altar. Also called a ciborium. | |
| Cathedra | Literally, the seat of the bishop, from which the word cathedral is derived. So a cathedral is a Bishopâs church. | |
| Central Plan | A round domed building plan in which the parts of the structure are arranged, with equal or almost equal, distances from the center. | |
| Cloister | A monastery courtyard usually with covered walkways or ambulatories along the sides. FOR MONKS! | |
| Codex | Separate pages of vellum or parchment bound together at one side and having a cover; the predecessor of the modern book. | |
| Crossing | The space in a cruciform church formed by the intersection of the nave and the transept. | |
| Cruciform | Literally means âcross-shaped.â | |
| Cubiculum | A small room that opens onto the atrium of a Roman house. Also, a small chamber in an Early Christian catacomb that served as a mortuary chapel. | |
| Diptych | A two-paneled painting or altarpiece; also, an ancient Roman, Early Christian, or Byzantine hinged writing tablet, often of ivory and carved on the external sides. | |
| Folio | A page of a manuscript or book. | |
| Gospels | The four books of the New Testament that relate the life and teachings of Jesus. The Gospels were written by the Evangelists Matthew, Mark, Luke, and John. | |
| Holy Trinity | In Christianity, the third âpersonâ of the Trinity (with the Father and the Son), often symbolized by a dove. | |
| Illumination | From the Latin âilluminareâ meaning to adorn. Decoration with drawings (usually in gold, silver, and bright colors), especially of manuscript pages. | |
| Loculi | small rectangular shelf like openings in the walls of catacombs to receive the dead. | |
| Lunette | A semi-circular area (with the flat side down) in a wall over a door, a niche, or a window. | |
| Magi | The wise men from the East who present gifts to the infant Jesus. | |
| Martyrium | A small building intended to mark the site of a burial of a Christian martyr. | |
| Mausoleum | A monumental tomb. A large stately tomb or building, often above ground, housing a single tomb or several tombs. | |
| Narthex | The vestibule of a church ; a transverse hall in front of the nave. | |
| Nave | From the Latin meaning âship.â The center or main aisle of a church extending from the entrance to the crossing or choir. | |
| New Testament | The second part of the Christian Bible dealing with the life and teachings of Jesus Christ. | |
| Nimbus | A halo (aureole) appearing around the head of a holy figure to signify divinity. | |
| Old Testament | The first part of the Christian Bible, corresponding to the Hebrew Bible, that recounts the creation of the world and the history of ancient Israel. | |
| Orant | In Early Christian art, a figure represented with hands raised in prayer. | |
| Personification | An abstract idea or quality represented in bodily form. | |
| Pieta | A painted or sculpted representation of the Virgin Mary mourning over the body of Christ. | |
| Portico | A porch with a roof supported by columns; an entrance porch. | |
| Prefiguration | In Early Christian art, the depiction of Old Testament persons and events as prophetic forerunners of Christ and New Testament events. | |
| Putto (Putti) | Italian term for a nude, often winged, cherubic young boy. | |
| Relic | An object of religious veneration, especially a piece of the body or a personal item of a saint or holy person. | |
| Reliquary | a container for keeping, holding, or displaying a relic. | |
| Theotokos | From the Greek for âbearer of God.â A title bestowed on the Blessed Virgin Mary by the council at Ephesus in 431. | |
| Torah | From the Hebrew for teaching or learning. A Jewish sacred scroll containing the Pentateuch, the first five books of the Hebrew Scriptures; often called âThe Law.â | |
| Byzantium | An ancient Greek city on which Constantine founded his new capital, Constantinople. A term also used for the Eastern Christian Roman Empire. | |
| Constantinople | Modern day Istanbul, Turkey. Constantineâs new seat of the empire founded in 324. The ancient site of Byzantium, called the âNew Rome.â Remember- founded in 324 AD | |
| Corpus Juris Civilis | Literally âCode of Civil Law.â The codification of Roman law under Emperor Justinian. | |
| Hagia Sophia | Literally âHoly Wisdom.â The supreme example of Byzantine architecture built under Justinian between 532-537. | |
| Icon | From the Greek for âimage.â An icon is a small portable painting depicting Christ, the Virgin Mary, and or Saints. It is an aid to devotion. Not to be worshipped, as that would be a pagan practice. | |
| Iconoclasm | In general, the destruction of images used in religious worship. A period in Byzantine history during the 8th century that was in opposition to icons. The iconoclasts were the âbreakers of imagesâ and the iconophiles were those who loved icons. | |
| Justinian | Byzantine Emperor who ruled from 527-565. His wife was the Empress Theodora. | |
| Mandorla | Literally means âalmond.â An almond-shaped aureole of light, often encompassing Christ or other holy figures. | |
| Mount Sinai | The site in Egypt where Moses received the Ten Commandments from God. An early monastery, now dedicated to St. Catherine, was built there. | |
| Paten | a large bowl used for holding the Eucharist bread. | |
| Pendentives | A triangular section of masonry making the structural transition from a square to a circle. Four pendentives support a dome. | |
| The Transfiguration | An event before the passion of Christ, on Mt. Tabor, in which Jesus is revealed as Godâs son. | |
| The Ascension | On the 40th day, after the Resurrection, on the Mount of Olives, with his Mother and Apostles as witnesses, Christ gloriously ascends to heaven in a cloud. | |
| Abbey | A monastic community ruled by an abbott (chief monk) or an abbess (chief nun). | |
| Author Portrait | A type of page or illumination common in Gospels books that depicts a portrait of the Evangelist (often shown seated and writing / with or without symbol); the page most often precedes their respective Gospel. | |
| Beowulf | The legendary hero of an anonymous 8th cen. Old English epic poem. | |
| Bible | From the Greek word âbibliaâ meaning "books." The scriptures sacred to Christians, consisting of the books of the Hebrew bible (Old Testament) and the New Testament. | |
| Carpet Page | In early medieval manuscripts, decorative pages with full page illuminations that are decorative and often resemble textiles. | |
| Cloisonne | French for partition. A process of enameling that involves the creation of cells or compartments formed by strips of metal fused to the surface. Those compartments are then filled with molten powdered glass or gems (enamel). | |
| Chi-rho-iota | The first three letters of Christâs name in Greek. (in Latin XPI) The symbol, often called a chi-rho, is a monogram of Christ. | |
| Charlemagne | French for Charles the Great; Frankish King crowned Holy Roman Emperor in St. Peters in Rome on Christmas Day 800. | |
| Confraternities | In late medieval Europe, organizations founded by laypeople who dedicated themselves to strict religious observances. | |
| Colophon | An inscription usually on the last page of a book giving information about a books history. | |
| Evangelist | From the Greek for âone who announces good news.â Traditionally, one of the 4 authors of the first books of the New Testament; Matthew, Mark, Luke and John. | |
| Hiberno-Saxon | An art style that flourished in the monasteries of the British Isles in the early Middle Ages; also called Insular. Hibernia was the ancient name of Ireland. | |
| Insular | A term often used to describe the art and culture of the Irish-English islands. | |
| Parchment | Lambskin prepared as a surface for painting or writing, one of the materials which comprised the leaves of a codex. | |
| Regalia | symbols of royalty such as the crown and sceptre. | |
| Renovatio Imperii Romani | part of Charlemagneâs official seal; it literally means renewal of the Roman empire. | |
| Scriptorium | Literally a writing house. The writing studio or workshop often associated with a monastery. | |
| Tonshure | A hairstyle worn by priests and monks in some religious orders that required the shaving of the head in some way. The Roman Catholic tonsure is cut in imitation of the crown of thorns. | |
| St. Benedict | A monk, Benedict of Nursia, who founded the Benedictine order in 529. His written âruleâ became the standard for Western monastic institutions. | |
| Vellum | Calfskin prepared as a surface for writing or painting. | |
| Zoomorphic | "animal-like" the term refers to art-work or decorated objects with an animal motif or animal-like appearance. | |
| Battle of Hastings | A battle between the invading Norman ruler William the Conqueror against the English King Edward the Confessor, in 1066 at Hastings, England. The Normans won. | |
| Compound Piers | A pier with a cluster, or group, of attached shafts, especially characteristic of Gothic architecture. | |
| Crossing Square | The area in a church formed by the intersection (crossing) of a nave and a transept of equal width, often used as a standard measurement of interior proportion. | |
| Crusades | Literally means âtaking of the cross.â The Crusades were a series, beginning in 1095, of mass, armed, pilgrimages. The purpose of these Crusades was to retake the Christian Holy Sites in Jerusalem from Muslim control. | |
| Embroidery | A means of decorating textiles. Embroidery patters are sewn with threads. | |
| Feudalism | The Medieval political, social, and economic system held together by the relationship of a liege lord and a vassal | |
| Jamb | The sides posts of a doorway. | |
| Pilgrim | a person making a journey. | |
| Radiating Chapel | a radiating chapel is small chapel designed for the display of relics. The chapel open directly onto the ambulatory and/or the transept. | |
| Romanesque | literally âRomanlike.â A term used to describe the history art and culture of medieval western Europe c. 1050 â 1200. | |
| Santiago de Compostela | Literally, âSt. James in the Field of the Star." A very popular pilgrimage site in Spain during the Middle Ages where the tomb of St. James is located. | |
| Springing or Spring Point | The lowest stone of an arch. | |
| Tapestry | A means of decorating textiles. Tapestry designs are woven on a loomas part of the fabric. | |
| Tympanum | The space over a doorway enclosed by the lintel and an arch. | |
| Trumeau | In church architecture, the pillar or central post in the middle of the doorway that supports lintel. | |
| Vassal | a person who was obliged to show loyalty and homage to a feudal lord (liege lord) in return for being allowed to occupy land belonging to the lord and receiving his protection. | |
| Voissoir | A wedge shaped block used in the construction of a true arch. The central voussoir, called the keystone, sets the arch. |
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