| Class: | ENG 102 - COMPOSITION/Honors |
| Subject: | English |
| University: | Harper College |
| Term: | Fall 2011 |
INCORRECT
CORRECT
the art of investing meaning in a thing which, in the context of the story, comes to represent some other thing (e.g. colors, animals, geography/place, numbers, metaphors, inanimate objects)
the use of sarcasm, irony, or parody to poke fun at and critique vice or folly (e.g. The Daily Show, Saturday Night Live, political cartoons)
what lies under the superficial theme/context of the story; it’s implied rather than explicitly stated (It’s what the story is REALLY about!)

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le guin
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those who walk away from omelas |
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hurston
|
sweat and gilded six bits |
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joyce
|
araby and eveline |
|
oates
|
where are you where have you been |
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vonnegut
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harrison bergereon |
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o' conners
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a good man is hard to find |
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woolfs
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kew gardens |
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bartheleme
|
the game city of churches some of us had been threatening colby me and miss mandible |
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Symbolism:
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the art of investing meaning in a thing which, in the context of the story, comes to represent some other thing (e.g. colors, animals, geography/place, numbers, metaphors, inanimate objects) |
|
Irony:
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the use of words being used in direct opposition to the literal meaning |
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Satire:
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the use of sarcasm, irony, or parody to poke fun at and critique vice or folly (e.g. The Daily Show, Saturday Night Live, political cartoons) |
|
Theme:
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A theme is a broad idea, message, or moral of a story. |
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Subtext
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what lies under the superficial theme/context of the story; it’s implied rather than explicitly stated (It’s what the story is REALLY about!) |
|
Plot:
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is the author’s arrangement of incidents in a story |
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Flashback:
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a device that informs us about events that happened before the opening scene of a work |
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Narrator:
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the person (voice) who relates the story |
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Protagonist/Hero:
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the central character who engages our interest and empathy |
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Antagonist:
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the force that opposes the protagonist |
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Exposition:
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the background information the reader needs to make sense of the situation in which the characters are placed |
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Setting/Context:
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the geographical place or the historical/social/political/economic environment |
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Rising Action:
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a complication that intensifies the situation |
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Conflict:
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the character’s central problem |
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Foreshadowing:
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a suggestion of what is yet to come |
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Suspense:
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when the reader is made anxious about what is going to happen next |
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Climax:
|
the moment of greatest emotional tension |
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resolution
|
conflict is resolved |
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Front |
Back |
|
|---|---|---|
| le guin | those who walk away from omelas | |
| hurston | sweat and gilded six bits | |
| joyce | araby and eveline | |
| oates | where are you where have you been | |
| vonnegut | harrison bergereon | |
| o' conners | a good man is hard to find | |
| woolfs | kew gardens | |
| bartheleme | the game city of churches some of us had been threatening colby me and miss mandible | |
| Symbolism: | the art of investing meaning in a thing which, in the context of the story, comes to represent some other thing (e.g. colors, animals, geography/place, numbers, metaphors, inanimate objects) | |
| Irony: | the use of words being used in direct opposition to the literal meaning | |
| Satire: | the use of sarcasm, irony, or parody to poke fun at and critique vice or folly (e.g. The Daily Show, Saturday Night Live, political cartoons) | |
| Theme: | A theme is a broad idea, message, or moral of a story. | |
| Subtext | what lies under the superficial theme/context of the story; it’s implied rather than explicitly stated (It’s what the story is REALLY about!) | |
| Plot: | is the author’s arrangement of incidents in a story | |
| Flashback: | a device that informs us about events that happened before the opening scene of a work | |
| Narrator: | the person (voice) who relates the story | |
| Protagonist/Hero: | the central character who engages our interest and empathy | |
| Antagonist: | the force that opposes the protagonist | |
| Exposition: | the background information the reader needs to make sense of the situation in which the characters are placed | |
| Setting/Context: | the geographical place or the historical/social/political/economic environment | |
| Rising Action: | a complication that intensifies the situation | |
| Conflict: | the character’s central problem | |
| Foreshadowing: | a suggestion of what is yet to come | |
| Suspense: | when the reader is made anxious about what is going to happen next | |
| Climax: | the moment of greatest emotional tension | |
| resolution | conflict is resolved |
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