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Karma
| Class: | JRNL 301 - Principles Advertising/IMC |
| Subject: | Journalism |
| University: | Southern Illinois University Carbondale |
| Term: | Spring 2011 |
INCORRECT
CORRECT

|
Promotions Opportunity Analysis
|
is the process marketers use to identify target audiences for a company's goods and services and the communication strategies needed to reach these audiences. |
|
Communication Market Analysis
|
is the process of discovering the organization's strengths and weaknesses in the area of marketing communication and combining that information with an analysis of the opportunities and threats present in the firm's external environment. |
|
5 Areas of CMS
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Competitors Opportunities Target Markets Customers Product Positioning |
|
Benchmark Measures
|
A benchmark is a starting point that is studied in relation to the degree of change following a promotional campaign. |
Koofers.com
|
Carryover Effect
|
Many products are only purchased when needed. i.e. - washing machines, refrigerators. Carryover Effect happens when a message is portrayed for so long that when the time comes for someone to buy the message is stuck in their head. |
|
Wear-out effects
|
When a message or particular ad gets old. |
|
Decay Effects
|
The amount of time it takes after for a consumer to forget an ad after it stops running. |
|
Meet - the - Competition
|
The primary goal of this form of budgeting is to prevent the loss of market share |
Koofers.com
|
What Can We Afford
|
This technique sets the marketing budget after all of the company's other budgets have been determined |
|
Objective and task
|
this type of budget makes a list of all objectives it intends to pursue during the year; then, they calculate the cost of accomplishing each objective. |
|
Payout planning
|
Establishes a ratio of advertising to sales market share. |
|
Strategies
|
sweeping guidlines concerning the essence of the company's marketing efforts. Strategies provide the long-term direction for all marketing activities. |
Koofers.com
|
Market Segmentation
|
is the process of identifying specific purchasing groups based on their needs, attitudes, and interests. |
|
Market Segment
|
is a set of businesses or group of individual consumers with distinct characteristics. |
|
Demographics
|
population characteristics i.e. - Gender (male/female), Age, Income, Ethnicity |
|
Pyschographics
|
emerge from patterns of responses that reveal a person's attitudes, interests, and opinions. |
Koofers.com
|
Message theme
|
An outline of key ideas that the advertising program is supposed to convey |
|
Leverage point
|
The key element in the advertisement that taps into, or activates, a consumer's personal value system ( a value, idea, or concept) |
|
Appeal
|
how that leverage point and executional theme combine to attract attention, through humor, fear, sexual suggestiveness, rational logic, or some other method. |
|
Executional framework
|
How the message will be delivered (musically, visually, verbally, written statements, etc.) |
Koofers.com
|
Advertising Management Program
|
The process of preparing and integrating a company's advertising efforts with the overall IMC message |
|
General preplanning input
|
The task of studying a client organization by the advertising agency, from a rich set of sources, to provide understanding an background before preparing an advertising campaign. |
|
Product - specific research
|
Research that identifies whether there are problems associated with a given product or service and the major selling idea to be used in the advertising campaign. |
|
Major selling idea
|
The primary message concerning the product or service benefits to be transmitted to consumers in an advertising campaign. |
Koofers.com
|
Qualitative Research
|
Collecting subjective information and opinions about a company, its products, and services, often through the use of focus groups |
|
Values and lifestyle model (VAL)
|
Research designed to predict consumer behavior by understanding self-orientation and resources. |
|
Personal drive analysis (PDA)
|
A model that helps the researcher understand individual psychological drives toward indulgence, ambition, or individuality, which affect brand choices. |
|
Advertising account executive
|
The key go-between for both the advertising agency and the client company |
Koofers.com
|
Creatives
|
The people who actually develop and produce advertisements |
|
Advertising Campaign Management
|
The process of preparing and integrating a specific advertising program in conjunction with the overall IMC message |
|
top of mind brand
|
The brand that is nearly always mentioned when consumers are asked to identify brands that quickly come to mind from a product category |
|
top choice
|
The first or second pick when a consumer reviews his or her evoked set of possible purchasing alternatives |
Koofers.com
|
Puffery
|
The use of an exaggerated claim about a product or service without making an overt attempt to deceive or mislead |
|
Promotional Campaign
|
Combining advertisements with other marketing efforts into a larger, more integrated effort revolving around a central idea or theme. |
|
Pulsating schedule of advertising
|
Continuous advertising with bursts of higher intensity (more ads in more media) during the course of the year, most notably during peak seasons |
|
Flighting schedule of advertising
|
A schedule in which companies present ads only during specific times and not at all during off-seasons. |
Koofers.com
|
Continuous Campaing schedule of advertising
|
When the company advertises in level amounts because product purchases are essentially "random" events |
|
Support
|
The facts that substantiate the unique selling point of a creative brief. |
|
Constraints
|
The company, legal, and mandatory restrictions placed on advertisements. They include legal protection for trademarks, logos, and copy registrations. |
|
White space
|
The absence of copy in a printed text. |
Koofers.com
|
Leverage point
|
The feature of the ad that leads the viewer to relate the product's benefits with personal values. |
|
Hierarchy of effects model
|
A marketing approach suggesting that a consumer moves through a series of six steps when becoming convinced to make a purchase, including: 1) Awareness 2) knowledge 3) liking 4) preference 5) conviction 6) the actual purchase. |
|
Means-end Chain
|
An advertisement approach in which the message contains a means (a reasoning or mental process) to lead the consumer to a desired end state, such as a key personal value. |
|
Means-End conceptualization of components for advertising strategy
|
An advertising approach that suggests using five elements in creating ads, including: 1) the product's attributes 2) consumer benefits 3) leverage points 4) personal values 5) the executional framework |
Koofers.com
|
Visual Esperanto
|
A universal language that makes global advertising possible for any good or service by recognizing that visual images are more powerful than verbal descriptions |
|
Advertising approach
|
Approaches to reaching consumers with ads. The seven major appeals are fear,humor, sex, music, rationality, emotions and scarcity |
|
Severity
|
Part of the fear behavioral response model that leads the individual to consider how strong certain negative consequences of an action will be |
|
Vulnerability
|
Part of the fear behavioral response model that leads the individual to consider the odds of being affected by the negative consequences of an action |
Koofers.com
|
Decorative models
|
Models in an advertisement whose primary purpose is to adorn the product as a sexual or attractive stimulus without serving a functional purpose |
|
Tagline
|
The final key phrase in an ad, used to make the key point and reinforce the company's image to the consumer |
Koofers.com
Front |
Back |
|
|---|---|---|
| Promotions Opportunity Analysis | is the process marketers use to identify target audiences for a company's goods and services and the communication strategies needed to reach these audiences. | |
| Communication Market Analysis | is the process of discovering the organization's strengths and weaknesses in the area of marketing communication and combining that information with an analysis of the opportunities and threats present in the firm's external environment. | |
| 5 Areas of CMS | Competitors Opportunities Target Markets Customers Product Positioning | |
| Benchmark Measures | A benchmark is a starting point that is studied in relation to the degree of change following a promotional campaign. | |
| Carryover Effect | Many products are only purchased when needed. i.e. - washing machines, refrigerators. Carryover Effect happens when a message is portrayed for so long that when the time comes for someone to buy the message is stuck in their head. | |
| Wear-out effects | When a message or particular ad gets old. | |
| Decay Effects | The amount of time it takes after for a consumer to forget an ad after it stops running. | |
| Meet - the - Competition | The primary goal of this form of budgeting is to prevent the loss of market share | |
| What Can We Afford | This technique sets the marketing budget after all of the company's other budgets have been determined | |
| Objective and task | this type of budget makes a list of all objectives it intends to pursue during the year; then, they calculate the cost of accomplishing each objective. | |
| Payout planning | Establishes a ratio of advertising to sales market share. | |
| Strategies | sweeping guidlines concerning the essence of the company's marketing efforts. Strategies provide the long-term direction for all marketing activities. | |
| Market Segmentation | is the process of identifying specific purchasing groups based on their needs, attitudes, and interests. | |
| Market Segment | is a set of businesses or group of individual consumers with distinct characteristics. | |
| Demographics | population characteristics i.e. - Gender (male/female), Age, Income, Ethnicity | |
| Pyschographics | emerge from patterns of responses that reveal a person's attitudes, interests, and opinions. | |
| Message theme | An outline of key ideas that the advertising program is supposed to convey | |
| Leverage point | The key element in the advertisement that taps into, or activates, a consumer's personal value system ( a value, idea, or concept) | |
| Appeal | how that leverage point and executional theme combine to attract attention, through humor, fear, sexual suggestiveness, rational logic, or some other method. | |
| Executional framework | How the message will be delivered (musically, visually, verbally, written statements, etc.) | |
| Advertising Management Program | The process of preparing and integrating a company's advertising efforts with the overall IMC message | |
| General preplanning input | The task of studying a client organization by the advertising agency, from a rich set of sources, to provide understanding an background before preparing an advertising campaign. | |
| Product - specific research | Research that identifies whether there are problems associated with a given product or service and the major selling idea to be used in the advertising campaign. | |
| Major selling idea | The primary message concerning the product or service benefits to be transmitted to consumers in an advertising campaign. | |
| Qualitative Research | Collecting subjective information and opinions about a company, its products, and services, often through the use of focus groups | |
| Values and lifestyle model (VAL) | Research designed to predict consumer behavior by understanding self-orientation and resources. | |
| Personal drive analysis (PDA) | A model that helps the researcher understand individual psychological drives toward indulgence, ambition, or individuality, which affect brand choices. | |
| Advertising account executive | The key go-between for both the advertising agency and the client company | |
| Creatives | The people who actually develop and produce advertisements | |
| Advertising Campaign Management | The process of preparing and integrating a specific advertising program in conjunction with the overall IMC message | |
| top of mind brand | The brand that is nearly always mentioned when consumers are asked to identify brands that quickly come to mind from a product category | |
| top choice | The first or second pick when a consumer reviews his or her evoked set of possible purchasing alternatives | |
| Puffery | The use of an exaggerated claim about a product or service without making an overt attempt to deceive or mislead | |
| Promotional Campaign | Combining advertisements with other marketing efforts into a larger, more integrated effort revolving around a central idea or theme. | |
| Pulsating schedule of advertising | Continuous advertising with bursts of higher intensity (more ads in more media) during the course of the year, most notably during peak seasons | |
| Flighting schedule of advertising | A schedule in which companies present ads only during specific times and not at all during off-seasons. | |
| Continuous Campaing schedule of advertising | When the company advertises in level amounts because product purchases are essentially "random" events | |
| Support | The facts that substantiate the unique selling point of a creative brief. | |
| Constraints | The company, legal, and mandatory restrictions placed on advertisements. They include legal protection for trademarks, logos, and copy registrations. | |
| White space | The absence of copy in a printed text. | |
| Leverage point | The feature of the ad that leads the viewer to relate the product's benefits with personal values. | |
| Hierarchy of effects model | A marketing approach suggesting that a consumer moves through a series of six steps when becoming convinced to make a purchase, including: 1) Awareness 2) knowledge 3) liking 4) preference 5) conviction 6) the actual purchase. | |
| Means-end Chain | An advertisement approach in which the message contains a means (a reasoning or mental process) to lead the consumer to a desired end state, such as a key personal value. | |
| Means-End conceptualization of components for advertising strategy | An advertising approach that suggests using five elements in creating ads, including: 1) the product's attributes 2) consumer benefits 3) leverage points 4) personal values 5) the executional framework | |
| Visual Esperanto | A universal language that makes global advertising possible for any good or service by recognizing that visual images are more powerful than verbal descriptions | |
| Advertising approach | Approaches to reaching consumers with ads. The seven major appeals are fear,humor, sex, music, rationality, emotions and scarcity | |
| Severity | Part of the fear behavioral response model that leads the individual to consider how strong certain negative consequences of an action will be | |
| Vulnerability | Part of the fear behavioral response model that leads the individual to consider the odds of being affected by the negative consequences of an action | |
| Decorative models | Models in an advertisement whose primary purpose is to adorn the product as a sexual or attractive stimulus without serving a functional purpose | |
| Tagline | The final key phrase in an ad, used to make the key point and reinforce the company's image to the consumer |
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